by Mattie Lucas
Cinema from a Decidedly Queer Perspective
The Radical Queerness of Alice Maio Mackay
Australian filmmaker Alice Maio Mackay was not yet 18 when her debut feature, So Vam, premiered in 2021. Now 20, Mackay has a staggering five feature films under her belt, a filmography that has quickly become one of most thrilling and radical bodies of work by a queer filmmaker in ages.
The Best Films of 2024
2024 was a year of contradictions; of an ascendant right-wing that swept Donald Trump to victory in the American presidential election, coupled with a banner year for queer and trans filmmaking. There are not one, but two trans filmmakers in my top 10 list. There’s even a transgender actress making serious Oscar season waves (although in talking about the best films of the year, the less said about Emila Perez the better.).
Revisiting Transamerica
The landscape for transgender people has changed dramatically since the release of Transamerica in 2005. While some change has been positive - greater visibility and wider acceptance have also led to more virulent pushback, putting trans people in the crosshairs of a conservative culture war.
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.