It's difficult not to get personal writing about a film like Andrew Haigh's All of Us Strangers. I didn't really write about it when I first saw it back in December of last year. I managed a half-hearted piece for my top ten write-up (where it came in at number five), but it somehow felt too close, too raw, for me to fully grapple with.

In the days since I first saw Kazik Radwanski's Matt and Mara, I've found myself reflecting on it quite a bit. It's an unassuming film, small in scale and short in length, but its impact is something quite lovely and lingering: an unexpectedly profound reflection on loneliness and the human connections and disconnections that result from it.

Coming out some 36 years after the original Beetlejuice, Tim Burton's new sequel, Beetlejuice Beetlejuice isn't exactly striking while the iron was hot. While the first film was a hit in the 80s, its reputation has only grown over the following decades, becoming a cult classic and Hot Topic staple.

Taken on its own, Alien: Romulus is a solid film. It is difficult, however, to analyze franchise films like this in a vacuum, especially when this is the seventh film in the venerable Alien series (ninth if you count the Alien vs. Predator films). To paraphrase Kamala Harris, Alien: Romulus exists within the context of all that came before it.