by Mattie Lucas
Cinema from a Decidedly Queer Perspective
Nickel Boys | 2024
RaMell Ross' exceptional documentary Hale County This Morning, This Evening (2018) was the kind of debut that heralded a wholly unique new cinematic voice whose observational style finds something almost magical in the most mundane places and situations. Ross brings that same energy to his narrative feature debut, Nickel Boys, and the results are revelatory, as if we're watching the cinematic language be rewritten before our eyes.
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.