by Mattie Lucas
Cinema from a Decidedly Queer Perspective
Nosferatu | 2024
Yet another retelling of the Dracula story might seem like unusual Christmas Day programming, but Robert Eggers' Nosferatu, with its wintry setting and gothic trappings, might just be a perfect holiday treat for horror fans.
Juror #2 | 2024
It's hard to talk about Clint Eastwood's Juror #2 without talking about the shameful way it's been treated by Warner Bros., who gave the film an incredibly limited run with no plans for expansion, despite Eastwood being a consistent moneymaker for the studio with his midbudget, adult oriented dramas such as The Mule and Sully, and American Sniper. Eastwood, now 94 years old, is an American legend, and while he isn't the only aging filmmaker who's struggled to find financing for their late period projects, it is somewhat shocking to see such a reliable, no-nonsense filmmaker get pushed aside in this manner.
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.