by Mattie Lucas
Cinema from a Decidedly Queer Perspective
King Lear | 1987
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.
I've seen a lot of bad movies. Call it an occupational hazard, but I couldn't even guess how much bloated, bland, pretentious, and downright incompetent slop I've seen on screen. Yet, I can't remember the last time I saw a film so soulless and dispiriting as The Electric State - the latest "this can't possibly be real" Netflix mockbuster from Joe and Anthony Russo (Avengers: Endgame).