by Mattie Lucas
Cinema from a Decidedly Queer Perspective
Megalopolis | 2024
Pre-production for Francis Ford Coppola's Megalopolis began in 2001. Based on a screenplay Coppola began in the 80s that got put on the back burner, this is a film that has been decades in the making, delayed by 9/11 along with mounting debts leading Coppola to eventually bankroll the production himself to the tune of $150 million. It has all the trappings of an epic disaster, and while it has divided critics and failed to make an impression at the box office, Megalopolis is arguably one of the most ambitious and fascinating films of the 21st century.
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.