by Mattie Lucas
Cinema from a Decidedly Queer Perspective
Funny Girl | 1968
It's not often that you get to watch a star being born in real-time, but that's exactly what it is like to watch William Wyler's Funny Girl. Barbra Streisand would, of course, go on to star in A Star is Born in 1976, but Funny Girl was her star-is-born moment, and what a moment it was. Streisand was already a successful singer and Broadway actress, but it was her performance in Funny Girl and her subsequent Oscar win that helped turn her into an icon.
For most of its life, the Cannon Group was a minor studio known for brawny B-movies like Death Wish, Cobra, Missing in Action, and Masters of the Universe. But during the 1980s, under the direction of co-owners Menahem Golan and Yoram Globus, who bought the company in 1979, Cannon also used some of its profits to take chances on risky auteur-driven projects in an attempt to gain some prestige. One such project was Jean-Luc Godard's King Lear, a deal Golan and Globus infamously made with Godard on a napkin at the Cannes Film Festival, where the pair were tenaciously courting filmmakers.